1769: A Year in Music
29 January 2019, 7.30pm - Southbank Centre
This fascinating and wide-ranging survey sets works by the 13-year-old Mozart – including a recently rediscovered concert aria – alongside an array of other pieces that were being composed in the same year. These include the first movement of a symphony by Mozart’s own father and two arias from Thomas Arne’s ode commissioned for David Garrick’s 1769 Shakespeare Jubilee. Also featured are arias by Paisiello and Gluck, and the concert closes with Haydn’s resplendent ‘Maria Theresia’ symphony, one of the greatest and most exciting of his middle-period works.
This concert marks the launch of the fifth year of our acclaimed MOZART 250 series.
Mozart Symphony from Cassation in G, K.63
Arne “Thou soft flowing Avon” and “Tho’ crimes from death and torture fly” from An Ode upon Dedicating a Building to Shakespeare
Mozart “Cara, se le mie pene”, K.deest
Paisiello “Venga pur” from Don Chisciotte della Mancia
Haydn “Son vecchio, son furbo” from Le pescatrici
L. Mozart Symphony in G, ‘Neue Lambach’ – 1st movement
C. P. E. Bach “Gott, sieh dein Volk” from Die Israeliten in der Wüste
Gluck “Nochier che in mezzo all’onde” from Aristeo
Haydn Symphony No. 48 in C, ‘Maria Theresia’
Swiss-Belgian soprano Chiara Skerath studied at the Conservatoire National Supérieur de Musique de Paris with Glenn Chambers. She has since been awarded numerous prizes, including the Grand Prix de Duo Chant-Piano at the 2013 International Nadia et Lili Boulanger Competition. With Classical Opera she has appeared in '1768 – a retrospective' at Wigmore Hall and as Ninetta in La finta semplice at Queen Elizabeth Hall, and she also sings the two licenza arias on the company’s recording of Mozart's Il sogno di Scipione. Mozart roles include Despina (Così fan tutte) at Oper Frankfurt, Cinna (Lucio Silla) at Theater an der Wien, Opéra de Versailles and Philharmonie de Paris, Pamina (Die Zauberflöte) at the Opéra de Saint-Etienne, Barbarina and Susanna (Le nozze di Figaro) at the Opéra Royal de Wallonie and Operklosterneuburg, and Zerlina (Don Giovanni) at the Drottningholm Festival in Sweden.
Updated 3 July 2018
British baritone James Newby is a BBC New Generation Artist from 2018-2020. He was the winner of the 2016 Kathleen Ferrier Award, and that same year he was the recipient of the Wigmore Hall/Independent Opera Voice Fellowship. In 2015 was awarded the Richard Tauber Prize (for best interpretation of a Schubert Lied) and overall Third Prize at the Wigmore Hall/Kohn International Song Competition. In the 2016/17 season he sang the role of Mercurio in La Calisto with La Nuova Musica and David Bates, and made his BBC Proms début in 2016 singing in Vaughan Williams’ Serenade to Music conducted by Sakari Oramo. He was a 2017 Jerwood Young Artist at Glyndebourne Festival Opera and appeared in La Traviata, Hamlet, La Clemenza di Tito and the role of the notary in Don Pasquale during the 2017 Festival, for which he won the prestigious John Christie Award. He was awarded the Orchestra of the Age of Enlightenment’s Rising Stars prize for 2017-2019. Recent engagements with the orchestra include ‘Christus’ in the world premiere of Sally Beamish’s The Judas Passion, and various Bach Cantatas as part of the OAE’s ‘Bach, the Universe and Everything’ series at Kings Place, London. In 18/19 he sings the role of Apollo in Handel’s Apollo e Dafne under Jonathan Cohen, Brahms’ Ein Deutsches Requiem under Marin Alsop, and St Matthew Passion under John Butt.
Ian Page is the founder, conductor and Artistic Director of Classical Opera and The Mozartists. He began his musical education as a chorister at Westminster Abbey, and studied at the University of York and the Royal Academy of Music. Before founding in Classical Opera in 1997, he worked on the music staff at Scottish Opera, Opera Factory, Drottningholm and Glyndebourne.
With Classical Opera he has conducted most of Mozart’s early operas, including the world premières of the ‘original’ version of Mitridate, re di Ponto and a new completion of Zaide, as well as Le nozze di Figaro, Don Giovanni, Così fan tutte and La clemenza di Tito. He has also conducted the UK premières of Gluck’s La clemenza di Tito, Telemann’s Orpheus, Jommelli’s Il Vologeso and Haydn’s Applausus, and the first new staging for 250 years of Johann Christian Bach’s Adriano in Siria. In 2009 he made his Royal Opera House début conducting Arne’s Artaxerxes at the Linbury Studio Theatre, and his studio recording of the work was released in 2011 on Linn Records.
He has devised and conducted numerous recordings for Classical Opera, including ‘The A-Z of Mozart Opera’ and ‘Blessed Spirit – a Gluck retrospective’ (both selected for Gramophone magazine’s annual Critic’s Choice), ‘Where’er You Walk’ with tenor Allan Clayton and ‘Perfido!’ with soprano Sophie Bevan (both shortlisted for the International Opera Awards in 2016 and 2017 respectively), and ‘Mozart in London’, which was recorded live during Classical Opera’s festival of the same name at Barbican’s Milton Court in 2015. In 2012 he embarked on a new complete cycle of Mozart opera recordings, aiming to record all of Mozart’s stage works over the course of twenty years . He is the creator and driving force behind MOZART 250, a ground-breaking 27-year journey through Mozart’s life, works and influences, and in 2017 he founded The Mozartists to facilitate the company’s ever-expanding concert work.
He is widely recognised for his work in developing talented young singers, and is in demand as a vocal coach. He serves on the coaching staff for the Jette Parker Young Artists Programme at the Royal Opera House and for the Royal College of Music, and provides bespoke training to young singers through Classical Opera’s Associate Artist Scheme.
Updated 3 July 2018
Comprising some of the leading players from both the UK and further afield, The Mozartists have won widespread acclaim from public and critics alike. They play on period instruments, and perform symphonies and concertos as well as operas.