News

Ian Page on the Fifth Year of MOZART 250

Ian Page on the Fifth Year of MOZART 250

Our conductor and artistic director Ian Page looks forward to the fifth year of MOZART 250, beginning with our concert at Queen Elizabeth Hall on 29 January: 1769 was one of the least prolific years...

Ian Page Announces New Associate Artists

Ian Page Announces New Associate Artists

Chiara Skerath, Gwilym Bowen and Ida RŠänzlšöv announced as new Associate Artists of Classical Opera and The Mozartists ahead of MOZART 250 exploration of 1769 Forthcoming MOZART 250 performances...

The Andrew Marr Show

The Andrew Marr Show

Ian Page and the Swiss soprano Regula MüŸhlemann performed a stunning aria from Mozart's first full-length opera La finta semplice on The Andrew Marr Show on Sunday 6 May. If you missed the show it...

Ian Page on Mozart’s first full-length opera

Ian Page on Mozart’s first full-length opera

Artistic Director Ian Page looks forward to our forthcoming production of Mozart’s La finta semplice, which marks the culmination of a memorable 20th anniversary season: Expectations are high for...

Gramophone Classical Awards Shortlist

Gramophone Classical Awards Shortlist

The sixth release in our complete Mozart opera series has made the shortlist of the Gramophone Classical Music Awards. You can read the original Gramophone review of Il sogno di Scipione in their...

James Jolly Interviews Ian Page for Gramophone

James Jolly Interviews Ian Page for Gramophone

A Gramophone Podcast: Ian Page Ian Page, founder and Artistic Director of Classical Opera, talks about Mozart, the classical era and his musical plans for the summer With a new recording of concert...

The Mozartists’ Announced

The Mozartists’ Announced

Classical Opera unveils 'The Mozartists' under the continued leadership of founder and conductor Ian Page. Classical Opera - known for its highly acclaimed performances of the music of Mozart and...

5 minutes with… Gavin Edwards

5 minutes with… Gavin Edwards

Classical Opera's principal horn player talks to us about his instrument, touring, and his love of Haydn. How did you come to study the horn, and what drew you to the instrument? At the age of four...